Image Credits: Part IV & Conclusion

Chapter 11

jerusalemdestroyed-luyken-33-thumb

Image 1. “De Uyterste verdelging van de Stad Jerusalem en den Tempel.” Translation: The Destruction of Jerusalem and the Temple [by Nebuchadnezzar, king of Babylon’s captain]. 2Kings 25. Passage: “8 Now in the fifth month, on the seventh day of the month, which was the nineteenth year of king Nebuchadnezzar, king of Babylon, came Nebuzaradan the captain of the guard, a servant of the king of Babylon, unto Jerusalem. 9 And he burnt the house of the LORD, and the king’s house; and all the houses of Jerusalem, even every great man’s house, burnt he with fire.” Artist: the Christian Mennonite, Jan Luyken (1649-1712); Engraver: Jan Luyken; published by Johannes Covens and Cornelis Mortier, French edition, Plate 33, 1732. Scan by author, uploaded 16 November 2015.

Source: An original, copper-plate engraving from the Mennonite mystic Jan Luyken (Luiken, Luycken). The plates were passed from Pieter Mortier (the original publisher — 1708) to his son Cornelis and were used to engrave the famous edition by the important Amsterdam team of Johannes Covens and Cornelis Mortier (their names in the plate). This edition was published in Amsterdam in 1729 and also in France in 1732. This engraving is from the 1732, French edition.

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Image 2. Depiction of the Roman … Sack of Jerusalem [of 70 CE] on the Arch of Titus in Rome (copy from Beth Hatefutsoth). The procession features the Menorah and other vessels taken from the Second Temple. Photo is a derivative work: Steerpike (talk), Arc_de_Triumph_copy.jpg : user: בית השלום, date not given.

Author: derivative work: Steerpike (talk), Arc_de_Triumph_copy.jpg (https://commons.wikimedia.org/wiki/File:Arc_de_Triumph_copy.jpg): user: בית השלום (https://he.wikipedia.org/wiki/משתמש:בית_השלום)

Attribution: “Arch of Titus Menorah” by derivative work: Steerpike (talk)Arc_de_Triumph_copy.jpg: user: בית השלום – Arc_de_Triumph_copy.jpg. Licensed under CC BY 3.0 via Commons – https://commons.wikimedia.org/wiki/File:Arch_of_Titus_Menorah.png#/media/File:Arch_of_Titus_Menorah.png, retrieved November 16, 2015

By derivative work: Steerpike (talk) Arc_de_Triumph_copy.jpg: user: בית השלום (Arc_de_Triumph_copy.jpg) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons

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Image 3. John of Patmos watches the descent of the New Jerusalem from God (Tapestry of the Apocalypse, 14th century). Photo by Kimon Berlin, user:Gribeco (https://commons.wikimedia.org/wiki/User:Gribeco), 23 May 2006, from Public Domain tapestry.

Attribution: “La nouvelle Jérusalem” by Kimon Berlin, user:Gribeco – own work, based on public domain tapestry (14th century). Licensed under CC BY-SA 3.0 via Commons – https://commons.wikimedia.org/wiki/File:La_nouvelle_J%C3%A9rusalem.jpg#/media/File:La_nouvelle_J%C3%A9rusalem.jpg, retrieved November 16, 2015

77px-Black_Elk_and_Elk_of_the_Oglala_Lakota_-1887

Image 4. Black Elk and Elk of the Oglala Lakota as grass dancers touring with the Buffalo Bill Wild West Show, London, England, 1887 (source: The Sixth Grandfather: Black Elk’s Teachings Given to John G. Neihardt, edited by Raymond J. DeMallie, page 259. The men are wearing “sheep and sleigh bells; otter fur waist and neck pieces; pheasant feather bustles at the waist; dentalium shell necklaces; and bone hairpipes with colored glass beads…Photograph collected on Pine Ridge Reservation in 1891 by James Mooney. Courtesy National Anthropological Archives, Smithsonian Institution”). Photo by Elliott & Fry – London, England,21 June 2007, 06:20:29.

Source: http://oyate1.proboards.com/index.cgi?board=pictures&action=display&thread=2069

Author: Elliott & Fry – London, England

Attribution: “Black Elk and Elk of the Oglala Lakota -1887” by Elliott & Fry – London, England – http://oyate1.proboards.com/index.cgi?board=pictures&action=display&thread=2069. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Black_Elk_and_Elk_of_the_Oglala_Lakota_-1887.jpg#/media/File:Black_Elk_and_Elk_of_the_Oglala_Lakota_-1887.jpg, retrieved November 16, 2015

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Image 5. Picture of Harney Peak [= Hinyan Kaga = Inyan Kara to the Lakota Sioux] from Palmer Gulch [South Dakota, USA]. Photo by Brock at en.wikipedia (https://en.wikipedia.org/wiki/User:BHrock) at en.wikipedia (https://en.wikipedia.org/wiki/Main_Page), 2 August 2006 (original upload date).

Source: Transferred from en.wikipedia (https://en.wikipedia.org/wiki/Main_Page) to Commons by User:Xnatedawgx (https://commons.wikimedia.org/wiki/User:Xnatedawgx) using CommonsHelper (https://tools.wmflabs.org/commonshelper/)

Attribution: “Harneygranite” by BHrock at en.wikipedia – Transferred from en.wikipedia to Commons by User:Xnatedawgx using CommonsHelper.. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Harneygranite.jpg#/media/File:Harneygranite.jpg, retrieved November 16, 2015

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Image 6. Onisaburo Deguchi. Photographer not given. Date of Original Photo: 1940(?)

Source: Ōmoto Believers Federation website

Attribution: “Onisaburo Deguchi 2” by ??? – Omoto Believers Federation website. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Onisaburo_Deguchi_2.jpg#/media/File:Onisaburo_Deguchi_2.jpg, retrieved November 16, 2015

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Image 7. Takakuma Mountains – Ontake (Kanoya City, Kagoshima Prefecture, Japan). Photo ja:User:Sanjo (https://ja.wikipedia.org/wiki/利用者:Sanjo), 5 May 2012.

Attribution: “Takakuma Ontake 2012” by ja:User:Sanjo – Own work (Own Photo). Licensed under CC BY-SA 3.0 via Wikimedia Commons – https://commons.wikimedia.org/wiki/File:Takakuma_Ontake_2012.JPG#/media/File:Takakuma_Ontake_2012.JPG, retrieved November 16, 2015

Chapter 12

Ea_(Babilonian)_-_EnKi_(Sumerian)

Image 1. Detail of The Adda Seal. The figures can be identified as gods by their pointed hats with multiple horns. The figure with streams of water and fish flowing from his shoulders is Ea (Sumerian Enki), god of subterranean waters and of wisdom. … At the centre of the scene is the sun-god, Shamash (Sumerian Utu), with rays rising from his shoulders. He is cutting his way through the mountains in order to rise at dawn. To his left is a winged goddess, Ishtar (Sumerian Inanna). The weapons rising from her shoulders symbolise her warlike characteristics [in the British Museum, London, England]. Photographer not given, 19 November 2011.

Source: Version 1 (http://cienciaxreligiao.blogspot.com/2011/04/quando-os-fundamentalistas-erram.html), Version 2 (http://wps.ablongman.com/wps/media/objects/13623/13950155/images/Fig3.7.jpg)

Original: The British Museum Collections (https://commons.wikimedia.org/wiki/Category:Collections_of_the_British_Museum)

Attribution: “Ea (Babilonian) – EnKi (Sumerian)” by The British Museum Collections – Version 1 Version 2. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Ea_(Babilonian)_-_EnKi_(Sumerian).jpg#/media/File:Ea_(Babilonian)_-_EnKi_(Sumerian).jpg, retrieved November 18

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Image 2. Scorpion men encountered by Gilgamesh [??], who guard the mountain of Mashu, …. Drawing by Faucher-Gudin from an Assyrian intaglio. Photographer not given.

Date of Drawing: not given

Source of Drawing: History of Egypt, Chaldea, Syria, Babylonia and Assyria, Vol. III

Attribution: “ScorpionMen” by Drawn by Faucher-Gudin, from an Assyrian intaglio – History of Egypt, Chaldea, Syria, Babylonia and Assyria, Vol. III. Licensed under Public Domain via Wikimedia Commons – https://commons.wikimedia.org/wiki/File:ScorpionMen.png#/media/File:ScorpionMen.png, retrieved November 18, 2015

83px-Bhutanese_thanka_of_Mt._Meru_and_the_Buddhist_Universe

Image 3. Bhutanese thankgka [a symbolic Buddhist painting] of Mount Meru and the Buddhist Universe, 19th century, Trongsa Dzong, Trongsa, Bhutan. Photographer not given, date of photo not given.

Attribution: “Bhutanese thanka of Mt. Meru and the Buddhist Universe” by unknown – Trongsa Dzong, Trongsa, Bhutan. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Bhutanese_thanka_of_Mt._Meru_and_the_Buddhist_Universe.jpg#/media/File:Bhutanese_thanka_of_Mt._Meru_and_the_Buddhist_Universe.jpg, retrieved November 18, 2015

120px-Cosmological_Mandala_with_Mount_Meru

Image 4. Chinese Silk tapestry depicting Mount Meru. Yuan dynasty (1271–1368). … 33 x 33 in. (83.8 x 83.8cm). This elaborate tapestry-woven mandala, or cosmic diagram, illustrates Indian imagery introduced into China in conjunction with the advent of Esoteric Buddhism. At the center is the mythological Mount Meru, represented as an inverted pyramid topped by a lotus, a Buddhist symbol of purity. Traditional Chinese symbols for the sun (three-legged bird) and moon (rabbit) appear at the mountain’s base. The landscape vignettes at the cardinal directions represent the four continents of Indian mythology but follow the conventions of Chinese-style “blue-and-green” landscapes. The dense floral border derives from imagery of central Tibet, particularly from monasteries with ties to the court of the Yuan dynasty. Photographer not given, date of photo not given.

Source: http://www.metmuseum.org/collections/search-the-collections/60006768#fullscreen

Attribution: “Cosmological Mandala with Mount Meru” by Unknown – http://www.metmuseum.org/collections/search-the-collections/60006768#fullscreen. Licensed under Public Domain via Wikimedia Commons – https://commons.wikimedia.org/wiki/File:Cosmological_Mandala_with_Mount_Meru.jpg#/media/File:Cosmological_Mandala_with_Mount_Meru.jpg, retrieved November 18, 2015

Shiva_Bearing_the_Descent_of_the_Ganges_River,_folio_from_a_Hindi_manuscript_by_the_saint_Narayan_LACMA_M.86.345.6

Image 5. Shiva Bearing the Descent of the Ganges River, folio from a Hindi manuscript by the saint Narayan. India, Himachal Pradesh, Guler, Bathu, ca. 1740 Drawings; watercolors Opaque watercolor, gold, and ink on paper Gift of Paul F. Walter (M.86.345.6) South and Southeast Asian Art of Los Angeles County Museum of Art. Photographer not given.

Image from http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31972238-O3.jpg; Gallery: http://collections.lacma.org/node/254001

Attribution: “Shiva Bearing the Descent of the Ganges River, folio from a Hindi manuscript by the saint Narayan LACMA M.86.345.6” by Image: http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31972238-O3.jpgGallery: http://collections.lacma.org/node/254001. Licensed under Public Domain via Wikimedia Commons – https://commons.wikimedia.org/wiki/File:Shiva_Bearing_the_Descent_of_the_Ganges_River,_folio_from_a_Hindi_manuscript_by_the_saint_Narayan_LACMA_M.86.345.6.jpg#/media/File:Shiva_Bearing_the_Descent_of_the_Ganges_River,_folio_from_a_Hindi_manuscript_by_the_saint_Narayan_LACMA_M.86.345.6.jpg, retrieved November 18, 2015

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Image 6. From Thomas Vaughan’s Lumen de Lumine, 1651, engraved by R. Vaughan, in the Welcome Library, London, UK, showing the Mons Majorum Invisibles. Photographer or Scanner not given. (title by author)

From: L0018188 T. Vaughan “Lumen de lumine”: scholae magic types.

Credit: Wellcome Library, London. Wellcome Images; images@wellcome.ac.ukhttp://wellcomeimages.org; Scholae magicae typus by Ro. Vaughan; Engraving by: R. Vaughan Lumen de lumine: or a new magicall light discovered, and communicated to the world, Thomas Vaughan, published: 1651

Attribution: Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

Retrieved November 18, 2015 from http://wellcomeimages.org/indexplus/result.html?*sform=wellcome-images&_IXACTION_=query&%24%3Dtoday=&_IXFIRST_=1&%3Did_ref=L0018188&_IXSPFX_=templates/t&_IXFPFX_=templates/t&_IXMAXHITS_=1

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Image 7. “Duodecima Figura” (Figure Twelve), engraved by Matthaeus Merian (1593–1650). Figure 12 from Lambsprinck’s De Lapide Philosophico [On the Philosophers’ Stone] as published in the Musaeum hermeticum, reformatum et amplificatum. Francofurti: Apud Hermannum à Sande, 1678. In Latin. Two male figures are standing on top of a tree-covered mountain. The being on the left has wings and a hat. The person on the right bears a sword. To their left is the sun, to the right is the moon. Below are lakes, sailing ships, and towns. The top of the page reads “Alius mons Indiae in vase jacet” which translates as “Another mountain of India lies in the vessel” The image caption is “Quem Spiritus & Anima, utpote filius & dux, conscenderunt.” A translation would be: “Spirit and Soul (shown) are acting as child and guide.” …. Photographer not given.

Date of Engraving: 1678

Source: Downloaded with permission from the Chemical Heritage Foundation, as part of the Wikipedian in Residence initiative. Catalog Information: From the copy in the Roy G. Neville Historical Chemical Library, Chemical Heritage Foundation.

Owner of Image: Chemical Heritage Foundation

Engraver: Matthaeus Merian (1593-1650)

Attribution: “Musaeum Hermeticum 1678 Duodecima Figura 365 CHF” by Chemical Heritage Foundation – Chemical Heritage Foundation. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Musaeum_Hermeticum_1678_Duodecima_Figura_365_CHF.tif#/media/File:Musaeum_Hermeticum_1678_Duodecima_Figura_365_CHF.tif, retrieved November 18, 2015

107px-Musaeum_hermeticum-Emblem_A050

Image 8. The Seven Planetary Rulers in Hades [Hades pictured as a mountain on which the Alchemical Work procedes. This is the same mountain described below but not the same illustration]. Illustration from the book “Musæum Hermeticum reformatum et amplificatum” (en:Museum Hermeticum [https://en.wikipedia.org/wiki/Musaeum_Hermeticum]), 1625. Image from the Getty Alchemy Collection. (title edited by the author)

Date of Book: 1625 or earlier

Source: “Dyas chymica tripartita, das ist, Sechs herzliche deutsche philosophische Tractätlein : deren II. von an jtzo noch im Leben, II. von mitlern Alters, und II. von ältern Philosophis beschrieben Worden : nunmehr aber allen Filiis doctrinae zu Nutz an Tag geben und mit schönen Figuren gezieret“, 1625, displayed online at The Getty Alchemy Collection: Retrieved from http://www.archive.org/details/dyaschymicatripa00gras

Author of Book: not given

Attribution: “Musaeum hermeticum-Emblem A050” by Unknown – “Dyas chymica tripartita, das ist, Sechs herzliche deutsche philosophische Tractätlein : deren II. von an jtzo noch im Leben, II. von mitlern Alters, und II. von ältern Philosophis beschrieben Worden : nunmehr aber allen Filiis doctrinae zu Nutz an Tag geben und mit schönen Figuren gezieret”, 1625, displayed online at The Getty Alchemy Collection: Retrieved from http://www.archive.org/details/dyaschymicatripa00gras. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Musaeum_hermeticum-Emblem_A050.jpg#/media/File:Musaeum_hermeticum-Emblem_A050.jpg, retrieved November 20, 2015

86px-Raimundus_Lullus_alchemic_page

Image 9. Page from alchemic treatise of Ramon Llull [ca. 1232-ca. 1315, born in the Kingdom of Majorca], [manuscript illustration] 16th century [showing alchemical knowledge growing from a mountain].

Date of Treatise: Beginning of the 16th century

Author of Treatise: Ramon Llull, 1232?-1316

Attribution: “Raimundus Lullus alchemic page” by Ramon Llull, 1232?-1316 – Book scan. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Raimundus_Lullus_alchemic_page.jpg#/media/File:Raimundus_Lullus_alchemic_page.jpg, retrieved November 20, 2015

Emerald_tablet

Image 10. An imaginative 17th century depiction of the Emerald Tablet from the work of Heinrich Khunrath, 1606 [showing the Emerald Tablet inside a mountain]. Photographer not given.

Date of Book: 1606

Date of Upload: not given

Source: Transferred from en.wikipedia (https://en.wikipedia.org/wiki/Main_Page) to Commons.; original source was “Alchemy and Mysticism from The Hermetic Museum” in Amhitheatrum sapient aeternae by Heinrich Khunrath (1606)

Attribution: “Emerald tablet” by Unknown – Transferred from en.wikipedia to Commons.; original source was “Alchemy and Mysticism from The Hermetic Museum” in Amhitheatrum sapientae aeternae by Heinrich Khunrath (1606). Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Emerald_tablet.jpg#/media/File:Emerald_tablet.jpg, retrieved November 20, 2015

Basilica_Philosophica_1618

Image 11. From the alchemical work: Opus medico-chymicum (1618) by Johann Daniel Mylius (ca. 1583-1642). Photographer not given, 12 July 2014. (title by author)

Attribution: By Johann Daniel Mylius (Medico Chymicum) [Public domain], via Wikimedia Commons https://es.wikipedia.org/wiki/Johann_Daniel_Mylius#/media/File:Basilica_Philosophica_1618.jpg, retrieved November 20, 2015

Chapter 13

70px-Dogen

Image 1. Dōgen watching the moon. Hōkyōji monastery, Fukui prefecture, [Japan] ca. 1250. Photo by Shii, date of photo not given.

Date of Painting: ca. 1250

Author: Shii (https://commons.wikimedia.org/wiki/User:Shii)

Attribution: “Dogen” by Shii – http://www.archives.pref.fukui.jp/fukui/07/zusetsu/B06/B061.htm. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Dogen.jpg#/media/File:Dogen.jpg, retrieved November 20, 2015

99px-Chakrasamvara_Vajravarahi

Image 2. Saṃvara [= Cakrasaṃvara = Khorlo Déchok = Demchog] with Vajravārāhī in Yab-Yum [= the sexual union of deities, that is, a hierogamos]. Painting; Thangka, Mineral pigments and traces of gold on cotton cloth, 54 x 45 in. (137.16 x 114.3 cm), ca. 15th century, a Newar artist from Tibet. From the collection of the Los Angeles County Museum of Art.

Date of Painting: ca. 15th century

Source: The Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.70.1.3) to LACMA[1] (http://collections.lacma.org/node/236864)

Attribution: “Chakrasamvara Vajravarahi” by By a Newar artist – The Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.70.1.3) to LACMA[1]. Licensed under Public Domain via Commons – https://commons.wikimedia.org/wiki/File:Chakrasamvara_Vajravarahi.jpg#/media/File:Chakrasamvara_Vajravarahi.jpg, retrieved November 20, 2015

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Image 3. I Ching hexagram 52: ䷳ “Bound” [Wilhelm has “Keeping Still”]). Photo by Ben Finney (https://commons.wikimedia.org/wiki/User:Bignose), 12 November 2002.

Attribution: “Iching-hexagram-52” by Ben Finney. Licensed under Attribution via Commons – https://commons.wikimedia.org/wiki/File:Iching-hexagram-52.svg#/media/File:Iching-hexagram-52.svg, retrieved November 20, 2015 from https://commons.wikimedia.org/wiki/File:Iching-hexagram-52.svg#/media/File:Iching-hexagram-52.svg

3c05618r

Image 4. Hugh of Saint-Victor. Date of Engraving not given. Artist not given. Photo downloaded from the Library of Congress website, Washington, D. C. (title by author)

Date of Engraving: not given

Attribution: (b&w film copy neg.) cph 3c05618 http://hdl.loc.gov/loc.pnp/cph.3c05618, retrieved 23 November, 2015

BCB_251_006-detail-thumb

Image 5. Abraham Abulafia (1240 – after 1293), Hayyei ha-Olam ha-Ba (Life of the World to Come), Italy, late 14th-early 15th century, Parchment, … Braginsky Collection 251, from Folio 5v. Braginsky Collection, Zurich. Photography by Ardon Bar-Hama, Ra’anana, Israel. (caption from exhibition catalogue entry, cropped with permission)

Attribution: Permission from “Braginsky Collection, Zurich. Photography by Ardon Bar-Hama, Ra’anana, Israel, retrieved from email link on January 2, 2016.

BCB_251_005-dot-thumb

Image 6. Abraham Abulafia (1240 – after 1293), Hayyei ha-Olam ha-Ba (Life of the World to Come), Italy, late 14th-early 15th century, Parchment, … Braginsky Collection 251, from Folio 5v. Braginsky Collection, Zurich. Photography by Ardon Bar-Hama, Ra’anana, Israel. (caption from exhibition catalogue entry, cropped with permission)

Attribution: Permission from “Braginsky Collection, Zurich. Photography by Ardon Bar-Hama, Ra’anana, Israel, retrieved from email link on January 2, 2016.

Chapter 14

night mountain-thumb

Image 1. Sun setting behind mountains. Oil pastels on paper. April, 2013. Painting and photo by author, uploaded October 25, 2015.

A-B-thumb

Image 2. Our goals (symbolized by an arrow going from an A to a B) are covered over (but not erased) by the events of our ordinary lives (symbolized by the mountains and river and sun and moon). Natural pigments in an oil base on a canvas board. Begun June 2013 — finished December 2015. Painting and photo by author, uploaded December 1, 2016.

yellow mountain-thumb

Image 3. Painting intentionally made to compensate the dark feelings after the death of my father, Michael L. Hersh, on August 1, 2015. Natural pigments in an oil base on a hardwood panel. Unfinished as of today, February 17, 2016. Painting and photo by author, uploaded December 1, 2015.

Conclusion

120px-Rongbuk_Monastery_Everest

Image 1. Classic view of the Rongbuk Monastery, Tibet taken by me (Csearl) while on a trek to Advanced Base Camp of Mount Everest. Original uploader was Csearl at en.wikipedia (https://en.wikipedia.org/wiki/Main_Page), 17 February 2007 (original upload date).

Attribution: “Rongbuk Monastery Everest” by Original uploader was Csearl at en.wikipedia – Transferred from en.wikipedia. Licensed under CC BY-SA 3.0 via Wikimedia Commons – https://commons.wikimedia.org/wiki/File:Rongbuk_Monastery_Everest.jpg#/media/File:Rongbuk_Monastery_Everest.jpg, retrieved November 23, 2015

NASA

Image 2. Space picture of the Mount Everest area, Nepal, Tibet [?] and the Himalaya. Image courtesy of Earth Sciences and Image Analysis Laboratory, NASA Johnson Space Center, USA, date not given.

Attribution: “Image courtesy of Earth Sciences and Image Analysis Laboratory, NASA Johnson Space Center.” See http://eol.jsc.nasa.gov, Part of Picture STS066-208-25 adaption Andrées de Ruiter www.nepal-dia .de

Retrieved November 23, 2015 from http://www.nepal-dia.de/int__England/ESP_space_pictures_of_nepal/ESP_Khumbu_2/esp_khumbu_2.html

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The Mountain Archetype Copyright © 1988 by Thomas R. Hersh. All Rights Reserved.

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